During a recent Licensing Expo discussion, Sharon Osbourne and Jack Osbourne outlined the project, which is being developed with Hyperreal. The technology is expected to create a version of Ozzy that can move, speak, respond, and interact using his likeness and voice.

The avatar, called Digital Ozzy, is planned for interactive Proto Luma units in the United States and the United Kingdom beginning in late summer 2026. Fans will be able to ask questions and receive responses meant to reflect Ozzy’s personality and style.

The project adds Ozzy to a growing list of major music figures whose legacies are being explored through digital entertainment. For the Osbourne family, the goal is to keep the experience recognizable and true to who he was, rather than present a polished version that does not match his public image.

During a recent podcast appearance, McCartney said he understands why people want a photo, but he does not want every encounter to become about a phone. For him, meeting someone in public works better when it stays simple: a greeting, a few words, and a real human moment.

McCartney said he wants to feel like himself, not like an attraction. He compared the feeling to being treated like something people line up to photograph, rather than a person having an ordinary day.

The comment reflects a wider issue for well-known artists in the smartphone era. Fans often see a selfie as proof of a special meeting, while celebrities may experience the same request as a break in personal space.

McCartney’s point was direct: he values genuine interaction more than a quick photo.

In the new edition, Lee revisits a period when his solo work was tied closely to his book Tommyland and the reality series Tommy Lee Goes to College. The updated version includes Dolby Atmos mixes, a refreshed presentation, and the album’s first release on vinyl and digital platforms.

The project also adds bonus material, including “Stupid World” with Chad Tepper. “Good Times,” featuring Butch Walker, is also part of the renewed focus around the album.

For Lee, the release brings back a chapter of his career that sat outside Mötley Crüe but still carried his loud, restless personality. It also arrives as the band continues its own activity, keeping Lee present in both rock history and current music conversations.

During the segment, Grohl singled out a line from the 2005 Foo Fighters song DOA, calling it one of the most ridiculous lyrics he has written. The lyric, centered on the idea that everyone eventually dies, came up as part of a challenge tied to the band’s past songs and creative choices.

Grohl explained that the line came from a rushed studio moment rather than some carefully planned statement. His reaction was blunt and funny, but it also gave a small look at how quickly songs can take shape when a band is working under pressure.

The conversation also touched on Grohl’s past exchange with David Bowie. Grohl recalled approaching Bowie about a possible soundtrack collaboration, only to receive a sharp but humorous rejection. It was another reminder of Grohl’s long history of stories that mix music, humor, and a little humility.

Speaking during a recent radio interview, the 81-year-old singer said he expects to return to the UK next year for a series of concerts, including a stop at London’s O2 Arena. He added that after that tour, “that’ll probably be it,” pointing to a possible end to major UK touring.

Stewart has not said he is retiring from music. In past comments, he has made clear that he still enjoys performing and does not want to stop completely. The shift appears to be more about stepping back from large-scale touring rather than leaving the stage altogether.

The singer is currently on his One Last Time tour, which began in 2024 and has included dates across North America, Europe, and the UK. For fans, the 2027 shows may carry extra weight if they become his last major UK appearances.

The tour is scheduled to begin September 30, 2026, at the Schottenstein Center in Columbus, Ohio. It will continue through major cities including Boston, Brooklyn, Chicago, Nashville, Austin, Denver, Seattle, Los Angeles, and more before closing on November 14, 2026, at Darker Waves in Huntington Beach, California.

The run follows a busy recent stretch for the band. In 2024, The Smashing Pumpkins released Aghori Mhori Mei, their first album after longtime guitarist Jeff Schroeder left the group. The band later brought in guitarist Kiki Wong after holding an open call for applicants.

The moment built around Ferrell trying to continue his monologue while Smith interrupted from the crowd. Paul McCartney, who served as the night’s musical guest, was also pulled into the bit, adding another layer to the playful confusion inside Studio 8H.

Ferrell and Smith have leaned into their resemblance for years, including past comedy appearances built around the same joke. This time, the setting gave the routine a fresh push, with McCartney’s presence making the exchange feel even more unexpected.

The episode brought together comedy, music, and a bit of celebrity self-awareness, all centered on a simple visual joke that still works because everyone involved knows exactly how silly it is.

The new project will follow 2022’s Requiem. Shaffer said the band is still sorting through the material, rewriting parts, cutting songs, and looking for the strongest direction. The goal, he explained, is to keep the sound recognizably Korn while also pushing the music somewhere fresh.

Shaffer also addressed the absence of longtime bassist Fieldy, who stepped away from the band in 2021. He said Fieldy did not seem fully engaged during earlier writing sessions and appeared unhappy with the demands of touring and recording.

The band has not framed the situation as a public feud. Shaffer said the main concern is that Fieldy is healthy and in a good place. Roberto Ra Díaz has since been playing bass with Korn, bringing new energy to the group’s current work.

Organizers said the event brought together children and youth from different countries to take part in matches and public activities focused on rights, protection, education, and inclusion. The gathering also focused on the experiences of street-connected young people and the challenges many face in accessing basic services and long-term support.

The Street Child World Cup is held around major international soccer events and is designed to give participants a visible platform beyond the field. This year’s edition in Mexico City included teams from multiple countries and highlighted issues such as identity, safety, and gender equality.

Bono and The Edge’s appearance added international attention to the event, while Sheinbaum’s participation tied the gathering to Mexico’s role as one of the host nations for the 2026 FIFA World Cup.

The museum said the exhibit was created in partnership with the Songwriters Hall of Fame and will connect major recordings with the writers and artists behind them. Featured names include Prince, Nirvana, Janet Jackson, Miles Davis, Neil Diamond, Diane Warren, Jimmy Jam, Terry Lewis, Frank Sinatra, Jim Morrison, Keith Moon, and Allee Willis.

Visitors will see artifacts, archival media, and commentary tied to songs and recordings recognized by major music institutions. The exhibit will also include an original film and an interactive feature asking visitors to think about what makes a song worthy of Hall of Fame status.

The opening day program will feature Jimmy Jam and Diane Warren discussing songwriting, recording, and the lasting impact of well-known songs.